#your book cover isn't even centered you amateur fuck

[like-it-or-not-i-am-alive]

You know who is a shitty person?

Katie Roche, a fuckwad from the UK who writes (and quite inaccurately) about trans people... Oh and she wrote a book about how Trump would win the 2020 election... Again, from the UK. Then whines and gripes about people using statistics from the USA??? Specifically for trans people dying???? What the fuck???????????

What a terf loser.

[spockandawe]

I'm so close to catching up with my books! Here we have the triumph of time, again, as a vellucent binding, again. And this may not look super different to you from my last iteration of this project! The differences were VERY process-driven and hard to photograph, but I pinky swear that there are incremental but noticeable improvements, and i would never mix up editions irl.

First up, refresher, vellucent binding is when there's a protective layer of vellum floating over your cover illustration, protecting it. Or. If you're cheap. Paper vellum. My first time around, I realized as soon as I got the vellum paper wet that oh shit, this REALLY has a grain, and it is the opposite of what my books want. It's the first time I've ever been punished for ignoring grain, though, so I can't complain. I pressed on anyways, because what is even the point of fucking around if you aren't bold enough to find out? As a result, my vellum on the first set has noticeable wrinkles, despite only the turn-ins being glued down, and it all floats more than i wish. You have to smooth it with your fingers to really SEE the detail in the images.

So, naturally, my second time, I got bigger vellum paper, covered the whole thing in paste, plopped my covers onto there, and planned to smooth the wrinkles out. Yeahhhh, that... it was fairly forgiving in the one volume with a primarily white background, and was a goddamn nightmare on the three illustrations.

Lesson one: paper vellum is like a sandworm that wants to curl up and die at the first touch of moisture. Lesson two: it wants to hurt you. PUNISH you. Lesson three: no seriously it is so much more difficult and unforgiving than any other material I've sampled yet. The wallet cost of actual vellum may be outweighed by the emotional cost of this shit.

Naturally, I am bewitched and determined to science it into submission.

For the record: v1 (turn-ins glued, wrong grain) in the bottom left, v2 (paste everywhere, abandoned on the curb without text blocks to warp and writhe as they please) in the top center, and v3 (turn-ins glued, correct grain, more effort to pull tension on the vellum) in the bottom right. I'm not done experimenting by any means, but i need to stop for a minute until i nail the process, to save my poor toner cartridges

But the books themselves! Even though i still see ways to polish my own process, i am DELIGHTED with them. The pull of the paper vellum still wants to introduce slack and wrinkles to the cover as it dries, but there's much less! The moment you get adhesive on paper vellum you commit to a fight to the death, but I'm getting better at handling and anticipating it!

There's a level of polish in the assembly of this set that was lacking in my first and second attempts at the covers. Even if it isn't perfect yet, I'm learning so much, and have new ideas for how to troubleshoot. The idea of making this bookbinding style more accessible and affordable fills me with so much delight, I can't even articulate it. I'm still very much an amateur myself, there are lots of professional best practices I can only speak to in the abstract. Pinning down something this niche and luxurious would make me so happy. Future science will be done on single-volume sets, probably after I'm done moving, but it's at the top of my to do list!! And when it's perfected, I'm for SURE coming back to this series, it's one of my all-time faves, I want to give it the fanciest treatment my hands can devise.